This is what we wanna see! 🐈‍⬛ Casting Icon of Broadway André De Shields and Icon of Ballroom Junior LaBeija you knew CATs: The Jellicle Ball was going to be TENz Across The Board! Go check out this reimagining of Andrew Lloyd Webber’s iconic musical Cats featuring your favorite performers from both Broadway and the Ballroom scene! Not only are “The Gurls” on the stage but also working behind the scenes, which add a level of authenticity and historical reverence which we are vocal about when Ba

This is what we wanna see! 🐈‍⬛ Casting Icon of Broadway André De Shields and Icon of Ballroom Junior LaBeija you knew CATs: The Jellicle Ball was going to be TENz Across The Board!Go check out this reimagining of Andrew Lloyd Webber’s iconic musical Cats featuring your favorite performers from both Broadway and the Ballroom scene! Not only are “The Gurls” on the stage but also working behind the scenes, which add a level of authenticity and historical reverence which we are vocal about when Bal

It's André De Shields' birthday, the perfect opportunity to reflect on the prolific actor's three cardinal rules. 1. "Surround yourself with people whose eyes light up when they see you coming," as André and his former castmates did at our 40th anniversary celebration of The Wiz. 2. "Slowly is the fastest way to get to where you want to be." André won his first Tony at 73, recognizing his showstopping performance in Hadestown. 3. "The top of one mountain is the bottom of the next, so keep climbi

Stephanie Mills - What he said✊🏾✊🏾✊🏾 @andre_deshields He...

I am forever inspired by André De Shields. Not only for his unbelievable catalogue of work, but by the resilience of spirit, the depth of his wisdom and the kindness he exudes. Here is a throwback to the time I saw Hadestown and had the honor of meeting him and hearing his sage advice. His words and entire presence really had an affect on me. 1. Surround yourself with people whose eyes light up when they see you coming. 2. Slowly, is the fastest way to get to where you want to be. 3. The top of

André De Shields’ final curtain call