The research is all about creating illustrations of Noli Me Tangere characters. The researcher's aim is not only limited to recreating designs of the novel's characters, but also to identify what factors to consider and how these factors can help to further develop the visual representations.

Noli Me Tángere (Latin for "Touch Me Not") is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines. It explores inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples in the late 19th century.

Dec 4, 2024 · José Rizal’s Noli me tángere (Touch Me Not) is pivotal in shaping Philippine national identity and literary tradition. While the novel has remained in continuous print, it has evolved from a material text into a revered cultural artifact.

Jan 24, 2023 · Impacts of Rediscovering Jose P. Rizal's Noli me Tangere through Adaptation in Television Drama Series during Post-Pandemic Situation in the New Normal January 2023 Thesis for: Bachelor of...

The best study guide to Noli Me Tangere on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.

Noli Me Tangere —Maria Clara (the sweetheart), Doña Victorina de Espadana (the flamboyant), and Sisa (the insane)—I wish to show how Rizal critically portrayed the struggles of the Filipina as an individual and as a member of the state. From his social critique, I shall move on to his other works which state what should be done for the to be

The Spanish colonial era lasted a little more than three centuries, placing Noli Me Tangere, which was published in 1887, closer toward the end of the Philippines’ Spanish colonial era.

Forms of Consciousness in Noli me tangere Benedict R. O'Gorman Anderson This article is based on a quantitative analysis of the deployment of key racial , ethnic , and political terms , as well as of Tagalog, in José Rizal's Noli me tangere. Special focus is on the peculiar distribution of the use

Ulrike Müller-Hofstede reinvents research questions of the noli me tangere in art, by exploring the impact of medium and material on the theme, in particular sculpture that is – more than painting – considered as the artistic discipline of ‘touch’ and the palpable.

This paper aims to show how Jose Rizal, in the Noli Me Tangere, portrayed the Filipina's struggle for an identity and role in nation building at the height of the resistance against the Spanish colonizers and the global clamor for enlightenment.