This large altarpiece – one of the few in the National Gallery which is almost complete – has had an eventful life. It was commissioned in 1455 from the Florentine painter Francesco Pesellino, and is his only surviving documented work.

Back in Florence by 1437, Lippi painted a Madonna and Child for Corneto Tarquinia (now in the Galleria Nazionale, Rome), which shows the influence of Donatello's sculpture but also that of contemporary Flemish painting in its interest in the effects of …

This large altarpiece – one of the few in the National Gallery which is almost complete – has had an eventful life. It was commissioned in 1455 from the Florentine painter Francesco Pesellino, …

In 1483 or 1484, Filippino was assigned the task of finishing Masaccio's great frescoes in the Brancacci Chapel in Florence. This portrait bears a great resemblance to a young man portrayed there by Filippino.

Learn more about our image policies. A woman supports a pudgy baby who sits on a stone ledge in this vertical painting. They both have pale skin, rosy cheeks, blond hair, and subtle halos made of gold dots. The woman’s body faces us, and her head tips to our left.

The Annunciation is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to c. 1449–1459, in the collection of the National Gallery, London. It is a pendant to Lippi's Seven Saints, also in the National Gallery.

This large altarpiece – one of the few in the National Gallery which is almost complete – has had an eventful life. It was commissioned in 1455 from the Florentine painter Francesco Pesellino, …

The Pistoia Santa Trinità Altarpiece is a 1455-1460 egg tempera, tempera grassa and oil on wood painting, begun by Pesellino and completed by Fra Filippo Lippi and his workshop. [1] . The main panel of the work is today in the National Gallery in London. [2] The main panel is …

Your search for 'filippo lippi' returned 46 results.

Fra Filippo's earthy style appeals to the viewer in the portrayal of massive forms and well–articulated figures. In the Adoration, the richly attired wise men and their attendants, as well as the broad–faced Joseph beside the Virgin, are usually attributed to him.