‘The Message’ Review: A Minimalist, Beautifully Shot Argentine Road Movie That Celebrates Both Nature and the Supernatural
Writer-director Ivan Fund's roving black-and-white feature, which played competition in Berlin, follows a little girl who ...
‘Khartoum’ Review: Experimental Doc Poignantly Captures the Crisis in Sudan
A collective of Sudanese and British filmmakers collaborate with five residents from Khartoum to construct a kaleidoscopic ...
‘Spring Night’ Review: Kang Mi-ja Returns With a Compact Co-Dependency Drama
Night,' an oblique adaptation of Kwon Yeo-sun’s novel, arthritis and alcoholism become symbolic — for better or worse.
Natalie Portman Saw The Brutalist, And She Used Her Review To Call Out The Studios’ ‘Franchise Fatigue’ And ‘Algorithmic Content Creation’
With the flick earning critical acclaim, our own Eric Eisenberg gave The Brutalist a strong 4-star review, and its many 2025 ...
‘Blue Moon’ Review: Ethan Hawke and Richard Linklater Luxuriate in Old Showbiz Drama
Ethan Hawke and Margaret Qualley star in Richard Linklater's new film "Blue Moon," about American lyricist Lorenz Hart.
‘Blue Moon’ Review: Ethan Hawke Shines as a Famous but Desperate Songwriter in Richard Linklater’s Vibrant Chamber Piece
Linklater returns to "Me and Orson Welles" mode for a small but razor-sharp biopic about Richard Rodgers' pre-"Oklahoma!" ...
‘Blue Moon’ Review: A Shimmering Script About Ol’ Broadway Struggles to Accommodate the Wrong Star
No amount of hairpieces or trick shots can transform Ethan Hawke into Lorenz Hart, which is too bad, since it gets in the way ...
Cottontail review: how a man’s journey through grief mirrors our search for peace – by an expert in death and grieving
Grief is not about building a new life without the person you’ve lost but about finding new ways of incorporating them into ...