You can feel the spirit of Thomas Mann’s alter ego, Gustav von Aschenbach – protagonist of his novella Death in Venice, immortalised by Dirk Bogarde in Luchino Visconti’s film – making his way to his ...

‘You’re meant to feel conflicting emotions,’ Brambilla tells Wallpaper*. ‘Some pieces are more inclusive and others more aggressive. It’s a show about one idea. We connect through the subconscious.