With over 17,000 attendees and counting, there's no shortage of impressive cosplay to be had. Whether it's in the lobby of the convention center, nearby hotels, the exhibit hall, or artist alley ...

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding. Happily, Steven Soderbergh’s latest film, “Presence,” gets ...

But two years later, Soderbergh did make it work, and while he was a guest on this week’s episode of IndieWire’s Filmmaker Toolkit podcast, the “Presence” director/cinematographer/camera ...

The tingly thriller “Presence” starts with a knockout premise: What if you told a ghost story from the perspective of the ghost? Each scene in Steven Soderbergh’s impeccably crafted film is ...

Following their collaboration on tech-thriller Kimi, director Steven Soderbergh and screenwriter David Koepp reunite with Presence, an audacious experimental supernatural drama told from the point of ...

Jan. 15, 2025 Gauging from the height of the camera, the ghost is taller than a small child. It’s alone when the movie starts, pacing the film’s only set, a century-old house with a wrap ...

Steven Soderbergh’s latest is a haunted house story told from the ghost’s point of view. Or rather, seen through the ghost’s POV; the director filmed the entire thing on a handheld camera ...

“Presence,” a ghost story from director Steven Soderbergh ... Tyler’s sister, Chloe, is locked inside a shell of grief. In overheard bits and pieces, her parents — Chris Sullivan of ...

While he made his name in the mainstream with the Magic Mike and Ocean’s Eleven films, Steven Soderbergh has experimented with genre and form in a number of smaller movies. In the horror genre ...

Neglected daughter Chloe (Callina Liang) suspects there’s a ghost in the family’s new home in “Presence.” Peter Andrews/AP Photos Share Steven Soderbergh’s innovative and immersive ...

His latest film, “Presence,” is another cinematic experiment, a ghost story seen from the point of view of, well, the ghost. Point-of-view filmmaking and its cinematic language of visual ...

The simultaneous braininess and gimmickry of this technique, applied to a David Koepp screenplay that unapologetically eschews A Ghost Story-style metaphysical traversing, could have stranded ...