A reissue of “NEUF”—which championed Henri Cartier-Bresson, Robert Frank, and Brassaï—shows why Robert Delpire’s midcentury publication remains an icon of the printed page.

Femme assise (Françoise)—etched in the tonal language of Pablo Picasso’s emotional geometry, a woman rendered not in joy or ...

Van Gogh’s favourite Japanese artist is at the British Museum, Lisa Milroy’s memories of Canada are on show in London, and new thresholds are crossed by Do Ho Suh – all in your weekly dispatch.