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We met Lyonne in a corner of the studio where uncanny clips generated by Asteria’s AI model were playing on a dozen ...
VFX supervisor Mohen Leo and SFX supervisor Luke Murphy on the "most impressive" shots that were actually staged in real life ...
Visual effects wizards have brought to life two of this season’s most buzzed about series. Here’s a look at their creative ...
Now in its third year, AI on the Lot in Culver City has seen the industry move from fearful observer to active participant.
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Creative Bloq on MSNYou're not supposed to notice it – inside the hidden art of animation and VFX in Guild Wars 2Game art comes to life when animators and VFX artists combine their skills. In online role-playing game Guild Wars 2, where ...
With sweeping product announcements across GPUs, CPUs, and AI PCs, AMD is signaling that its transformation from a ...
Hollywood is undergoing a technological renaissance—and artificial intelligence is at the center of it. Since 2018, AI adoption in Hollywood has been increasing by roughly 35% annually—demonstrating ...
Mr. Sachdeva interned at Moving Pictures Company (MPC) in 2021 and was part of the team that worked on the latest Transformers movie, coming full circle with his childhood admiration of film VFX.
VFX assets, 3D assets, etc.” You may like NAB Show: Producer and Cree8 Partner on Streamlined Cloud-Based Production Solution Avid Accelerates Move to Cloud Production With AWS Agreement Dimension ...
Terms of the deal were not disclosed, but the agreement includes Abu Dhabi-based investor United Al Saqer Group and the DNEG Group investing another $25 million into Brahma, an AI and content ...
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ScreenRant on MSNAlien: Romulus' Most Challenging CGI Sequence Explained By VFX SupervisorWhile speaking with ScreenRant, Alien: Romulus VFX Supervisor Eric Barba discussed ... t be seen because it was hidden by storms and cloud cover. Shooting the sequence was relatively easy enough ...
For ‘Megalopolis,’ Francis Ford Coppola Embraced Virtual Production — Including the LED Volume Stage
VFX supervisor Jesse Chisholm tells IndieWire ... It just feels real and alive, a motivated camera move. So he gave us gold and that’s what we used to cut. And then we just iterated and worked ...
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