The team behind James Mangold's Bob Dylan biopic talk about recording the musical performances live and telling a story through sound environments.

Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel.

Outstanding Sound Design of a Play (Drama Desk Awards) for The Hunt, Best Sound Design of a Play (Tony Awards) for Ink, Best Sound Design of a Play (Tony Awards) for Travesties, Best Sound Design ...

Cirrus Logic (CRUS) beat analysts’ estimates on the top and bottom lines in the third quarter of 2024. Solid demand for the ...

Great sounding preamps aside, the ultimate strength of the Focusrite Scarlett 18i20 is its uncanny ability to make ...

Designer babies may sound like science fiction, but they’re becoming increasingly possible as gene editing technology to treat and prevent genetic diseases evolves. How scientists should use it ...

Defying Gravity” is the defining moment of Wicked, serving as the showstopping climax to the movie musical that has racked up ...

Coltrane, a jazz virtuoso who devoted much of her life to a spiritual journey, is a beacon for today’s artists. An exhibition at the Hammer Museum shows why. By Siddhartha Mitter A jury found ...

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Australia's top hi-fi and AV in the Sound+Image Awards 2024 Our Awards recognise 40 winning products and companies in the ultimate audio and AV buying guide S+I AWARDS Check out these world-class ...