When Roberto Matta Echaurren arrived in New York City in November 1939, he was doubly in exile. He’d left South America for Paris four years before, at 24, determined to become an architect in ...

Among the artworks, a machine. An Italian machine. At the center of the last room of the "Time of Futurism" exhibition, opened at the Galleria Nazionale d'Arte Moderna (GNAM) in Rome in December ...