“Picasso Sculpture” at the Museum of Modern Art is a show of riches ... he grafted a bicycle seat to a set of handlebars, a mythic bull’s head conjured from the detritus of urban life ...

Then, in “Bull’s Head” (1942), it works both ... For the last major Picasso sculpture survey at MoMA in 1967, these plaster works were not included, because Picasso wouldn’t part with ...

The Museum of Modern Art presents Picasso: Themes and Variations ... like those in the Bull series, which begins with a naturalistic rendering and ends with a few simple lines.

Instead MoMA has given Picasso’s sculpture blockbuster treatment ... albeit brilliantly. Bull’s Head (1942) is simply the seat and handlebars of a bicycle, which he did not alter, cleverly ...

“Picasso in Fontainebleau,” a midsize show at the Museum of Modern Art, digs deeply into just a few months of production, the summer of 1921, when the artists worked in a rented house in a ...

The conservation laboratory at New York’s Museum of Modern Art (MoMA) is a brightly lit ... but he would have to be a Picasso to know exactly what to do with the work at hand.

Jackson Pollock never met Pablo Picasso in person ... of Modern Art (MoMa) in New York. The influence, when seen side by side, is striking. Motifs of the mask and the bull appear in his drawings ...

Nevertheless, by the 1930s Picasso was perceived as a singular talent outside of France, especially in the U.S., where Alfred Barr, the director of MoMA celebrated him as “so fecund and ...