The Canon R1 excels in many ways with its 40fps, better quality video codecs, lightweight and robust body design and awesome EVF but it one thing Canon did holds it back from really pushing the R ...

When global film audiences meet Fikayo Holloway, an investigative journalist probing the shady dealings of Lagos’s crime ...

Zeiss is returning to making lenses for stills cameras, introducing the Otus ML line with new 50mm and 85mm F1.4 lenses for E, RF, and Z mounts. The lenses are manual focus only, but are focused on ...

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The Otus 50mm and 85mm lenses are exclusively manual focus, feature a fast f/1.4 maximum aperture and solid metal build and are, impressively, available for Sony E, Canon RF and Nikon Z mirrorless ...

In addition to the category winners, the Open Photographer of the Year will be announced at an awards ceremony in London on ...

The Canon EOS R1 has been a long time coming ... this classic ‘standard’ focal length – and don’t really need Canon’s fast but heavy RF 50mm f/1.2. The stepless iris control ring is perfect for video, ...

The 50mm has 14 elements in 11 groups – two aspheric and four ... The compact and portable design is optimized for the latest mirrorless mounts: Sony E, Canon RF, and Nikon Z-Mount, with the 1.4/50 ...

The original ZEISS Otus primes had a reputation for being the best stills lenses in the world, outperforming practically every other full-frame stills ...

ZEISS has now resurrected the Otus series with a new 50mm F1.4 and 85mm F1.4 that were designed specifically for Canon RF, Sony E, and Nikon Z mirrorless mounts. ZEISS has been very quiet on the ...

The new Zeiss Otus ML 1.4/50 and Zeiss Otus ML 1.4/85 lenses are slated for a 2025 arrival in Sony E, Canon RF and Nikon Z mounts ... price point than Zeiss’ older DSLR Otus optics. The 50mm carries a ...