When the Academy museum first approached production designer Sarah Greenwood and set decorator Katie Spencer about curating ...

London — Production designer Sarah Greenwood and set decorator Katie Spencer were working from a snow-covered, erupting volcano in Sicily during the production of Joe Wright’s “Cyrano ...

Influencers: The story of how Joe Wright's 23-year collaboration and friendship with production designer Sarah Greenwood and set dresser Katie Spencer has become the backbone of his bold cinema.

“Barbie” Production designer Sarah Greenwood and set decorator Katie Spencer reckon that by this time next year, there will be a pendulum swing and no one will want to go near the color pin ...

Sarah Greenwood and Katie Spencer created the worlds of films like Barbie, Beauty and the Beast and Pride and Prejudice.

“You have the courage to take risks with each other,” explains set decorator Katie Spencer of the benefits of her working history with production designer Sarah Greenwood, “there’s a trust ...

Neither Barbie production designer Sarah Greenwood nor set decorator Katie Spencer had Barbie dolls growing up. “Or a DreamHouse, or anything,” recalls Greenwood, who joined Filmmaker on Zoom ...

Production designer Sarah Greenwood also remembers that momentum on set, created from people who were starting off in their careers. “We were all at the same level,” she says. The film went on ...

"Pink became the film's thesis" Greenwood and her longtime collaborator Katie Spencer told IndieWire. “Am I allowed to say that?” Sarah Greenwood asked her collaborator Katie Spencer.

Production designers Sarah Greenwood and Katie Spencer have worked on all manner of epic projects, but Greta Gerwig’s “Barbie” left the duo with a high bar to cross. “It was one of the ...

By Kyle Buchanan While working on films like “Atonement,” “Anna Karenina” and “Darkest Hour,” the production designer Sarah Greenwood and the set decorator Katie Spencer, both Oscar ...

The surprising fact was revealed by production designer Sarah Greenwood during an interview with Architectural Digest. The film's director, Greta Gerwig, said she wanted the pinks used on set to ...