Writer-director Mark Waters first saw Wendy Macleod’s play “The House Of Yes” in San Francisco in 1990, two years before he even began film school at the American Film Institute. But he ...

and the remainder of The House Of Yes seems like a series of shrill repetitions of the same theme. Director Mark Waters has done probably the best possible job translating the material to film ...

For all its talk about sex, incest, insanity and the gory details of the Kennedy assassination, Mark Waters' adaptation of Wendy MacLeod's play doesn't really amount to much more than a lurid ...