but also heraldic spatial markings that were connected with the topos of the heavenly Jerusalem. The guiding question will be as to which medial intrinsic logics are brought to the discourse about the ...

By doing this, we will be able to merit our place in the heavenly Jerusalem to sing Alleluia in its streets with all the saints and angels. But the One whose Kingdom is eternal for all ages must ...

A “spiritual artist” is needed, said Guida, to draw a picture of the heavenly Jerusalem that cannot be seen with the eyes. Grattage is his primary tool to accomplish this task. He is also ...