"It goes without saying that 'The Merchant of Venice' is a desperately difficult play to stage for a 21st century audience," ...

What this production – adapted by director Brigid Larmour and star (Shylock) Tracy-Ann Oberman – does is set us in London in 1936. It’s when Oswald Mosley’s British Union of Fascists were on the rise ...

Arbus has given us a Merchant of Venice for the age, updated to the present day with plenty of mobile phone coverage on the ...

Following a second sold out West End run, the critically acclaimed production arrives at Leeds Playhouse from 18-22 February ...

The Merchant of Venice 1936 continues at the RSC's Swan Theatre, in Waterside, Stratford-upon-Avon, until Saturday October 7 and returns from Wednesday January 24 until Saturday February 10 ...

Theatre For A New Audience is an American group based in New York City, and their 2022 production of The Merchant of Venice, which here marks the company’s Edinburgh debut, bristles with new word ...

Ambition, power, and political unrest explode onto the stage in The Merchant of Venice 1936, returning to London’s West ... new production that “makes theatre history” (The Telegraph). It is adapted ...

The Merchant of Venice has provoked controversy for centuries ... steps in their journey toward a full production by TFANA when theaters reopen. Artists & Community, a new TFANA series, explores ...

The play’s themes are always topical, but they feel particularly pointed in this transatlantic transfer of Arin Arbus’ staging for Brooklyn-based company Theatre for a New Audience ...

The winner will win her hand in marriage; the losers will lose her hand and much more. In Venice, the epicentre of consumption, speculation and debt, Bassanio borrows money from his friend Antonio ...

Here's the link you need: Buy The Merchant of Venice 1936 tickets from ATG here ... Otherwise London Theatre Direct is also a great source for theatre tickets. You can search through their ...

"It goes without saying that 'The Merchant of Venice' is a desperately difficult play to stage for a 21st century audience," said Joyce McMillan in The Scotsman. Torn between his desire to give ...