Ed Ruscha, next to a 1933 Ford truck ... including one of his mountain paintings, The Celluloid Light Projection. “That was because I wrote Ed something and I was going to film a movie ...

"If I paint a mountaintop, it's not really a mountaintop; it's an idea of a mountaintop," said artist Ed Ruscha. Some artists are so weird and wonderful, you just can't stop thinking about them.

Ed Ruscha, intrepid explorer of language and image ... The best of Ruscha’s works this century depict mountain ranges topped with snow, overlaid with new phrases — PAY NOTHING UNTIL APRIL ...

Ed Ruscha’s Every Building on the Sunset Strip ... But then, Ruscha’s back, and his amazing mountain prints take over: PAY NOTHING UNTIL APRIL, knocked out of an alpine peak, is a welcome ...

Ed Ruscha’s career retrospective at LACMA, ED RUSCHA / NOW THEN (first mounted at New York’s Museum of Modern Art) makes a strong case for the power of Ruscha’s hard-edged, minimalist ...

By the time I left “Ed Ruscha / Now Then,” an XXL retrospective at MOMA comprising some two hundred works produced between the Eisenhower years and the present, I had lost count of the burning ...

Ed Ruscha's iconic and self-defined font ... here centering them in front of a hyperrealistically rendered mountain that resembles the acclaimed Mountain Series the artist began in the late 1990s.

Ed Ruscha, the octogenarian Pop conceptualist ... hang of Ruscha’s 1980s paintings of stencilled phrases on fake mountain backdrops. It then picks up again with a room of darker, almost mournful ...

New York — Ed Ruscha, born in Omaha ... imposes the sentiment in a stack of crisp white words over snow-covered mountain scenery, the sky a sallow yellow fading upward into bilious green.

ED RUSCHA came to Los Angeles to attend art school in the 1950s and soon became one of the most important artists in the world. That’s how London’s Tate Modern described him when it sent a ...

“Our Flag” by Ed Ruscha is now on show at the Museum of Modern Art in New York. (Josh White/Gagosian/Jimmy Iovine/Liberty Ross) Review by Philip Kennicott NEW YORK — In 2017, after the ...