A show at the Louvre expands our understanding of the Florentine father of Western painting, who brought a revelatory naturalism and narrative sense to his work in the 13th century.
The world of art held a history that was timeless and carried on the narrative for longer than any structure built. Throughout history, lost masterpieces resurfaced in attics, behind walls, and ...
The two other panels that makeup Cimabue’s Passion of the Christ polyptych include the Flagellation of Christ, which hangs in the Frick Collection in New York, and the Madonna and Child ...
Cimabue’s Louvre reappraisal owes much to ... the “Flagellation of Christ”, part of the Frick Collection in New York, and the “Madonna and Child Enthroned between Two Angels”, found ...
Cimabue’s innovative attempts at three-dimensional ... Maestá is significant because it canonized a new visual representation of the Madonna and Child. The painting directly informed subsequent ...
Virtually nothing is known about the life of Cenni di Pepo, better known as Cimabue (c. 1240-1302), the Florentine artist often called the father of Western painting. A mere two decades after his ...